After effects cs6 tutorial pdf


 

Oct 23, Designing in 3D: Use After Effects CS6 to elevate your work and 3D Studio Max | Maximum power: Configuring Adobe CS6 | Resources: Video tutorial series: After Effects CS6: New features workshop . and PDF files after you import them into After Effects CS6. Furthermore, with the. Nov 7, Using After Effects CS5 & CS (PDF) · Learn After Effects CS5 & CS video tutorials · Adobe After Effects CS5 & CS Troubleshooting.

Author:THEA FLUCAS
Language:English, Spanish, Portuguese
Country:Jordan
Genre:Biography
Pages:379
Published (Last):30.11.2015
ISBN:347-6-22375-849-7
Distribution:Free* [*Sign up for free]
Uploaded by: SUSANA

69574 downloads 111217 Views 40.68MB PDF Size Report


After Effects Cs6 Tutorial Pdf

System requirements | Older versions of After Effects. To learn more, see Create Motion Graphics templates in After Effects. Team Projects support. Adobe Premiere Pro CS6 Classroom in a Book includes the lesson files that you' ll need to complete Adob The Adobe Photoshop CS6 Book for Digital. Jan 8, Adobe After Effects CC is a hugely popular piece of creative software that enables you to do everything from basic motion graphics and simple.

Te information is organized to follow the sequence of instruction in each lesson. Course strategy If youre teaching a session class, you can teach approximately one chapter of this book per class. Te book contains 14 lessons, some of which may take a while to complete. If you are teaching a session class, you may want to combine some of the lessons in a single class. For example, Lessons 1 and 2 cover the basic workfow and most fundamental tasks in After Efects. Students begin a 3D project in Lesson 10 that they complete in Lesson 11, so you may be able to cover both lessons in one class. One way to simplify fle storage and retrieval in classroom situations is to ask students to create a folder on their hard disks, name it [Students, for the students name] Lessons, and then copy each project folder into the main Lessons folder. Having students keep all their working fles in their own Lessons folder makes it easy for you to clean up fles when a class is over. Lesson 1: Getting to Know the Workfow Lesson 1 uses a sample project to provide an overview of the typical After Efects workfow, from creating a project to importing footage, creating a composition, applying efects, and outputting content. Along the way, students are introduced to the elements of the After Efects work area, which theyll need to understand as they proceed with the lessons in this book. About the user interface Adobe video and audio applications provide a consistent, customizable workspace. Although each application has its own set of panels such as Tools, Properties, Timeline, and so on , you move and group panels on your computer screen in the same way across products. Panels are organized in this window in an arrangement called a work- space.

How to create captions How to import text from Microsoft Word How to manage text flow between frames How to reuse objects How to transform objects How to use document templates How to use adaptive layouts How to export for multiple screens How to fill text with an image How to use master pages How to use object styles How to use books.

Overview of Adobe Fireworks CS6 workspace 2. How to create a wireframe 3. How to create a design comp 4. How to prepare photographs 5. How to optimize images 6. How to create a prototype 7. How to create interactive navigation.

Overview of the Adobe Dreamweaver CS6 workspace 2. How to set up a local root folder and site structure 3. How to set document properties 4. How to use the Assets panel 5.

50 After Effects tutorials to sharpen your motion skills | Creative Bloq

How to manage files and links by using the FIles panel 6. The Dreamweaver Insert panel 7. How to deploy for multiple screens 8. How to create and edit a CSS rule 9. How to use CSS starter layouts How to lay out a web page with CSS How to use templates How to work with external Cascading Style Sheets How to troubleshoot Cascading Style Sheets How to make websites accessible How to use the Adobe Dreamweaver Widget Browser How to check files in and out How to create interactive navigation How to add images How to add rich media to a web page How to add text How to use CSS text styles How to create lists How to create links How to create data tables How to create forms How to create image maps How to preview and test a web project How to check links How to publish web files.

Understanding Flask graphic files types 3. How to organize content 4.

Symbols, instances, and the library 5. How to use guides and rulers 6.

50 Excellent Adobe After Effect Tutorials

How to maintain consistency 7. How to make Flash content accessible 8.

How to draw and create shapes 9. How to apply colors and gradients How to create masks How to create a button symbol How to use transparent or invisible buttons How to work with text Understanding frames and keyframes How to create animation How to use a motion guide with a motion tween animation How to ease tweens How to create character animations How to use sprite sheets How to use filmmaking techniques How to create transitions with motion tweens How to create visual effects How to import images How to produce Flash video for use on the web How to import sound How to optimize Flash content How to get started with ActionScript ActionScript for basic gaming How to test a Flash project How to publish a Flash document How to set up a mobile application How to resize content for multiple screens How to create an RSS feed How to create a Google map How to publish a mobile application.

Key terms: How to import files 3. How to manage media in the Project panel 4. How to create a storyboard in the Project panel 5.

How to trim clips in the Timeline panel 6.

How to work with clips in the Timeline panel 7. How to create standard image, movie, and audio files 8. How to capture video 9. How to use editing tools in the Source Monitor How to apply and adjust video transitions How to adjust audio and apply crossfades How to record a narration in the Audio Mixer How to create TV news-style J- and L- cuts Te Video switch for the text layer is turned of.

About groups and render order for shapes Tough by default a shape consists of a single path, a single stroke, and a single fllarranged from top to bottom in the Timeline panelmuch of the power and fexibility of shape layers arises from your ability to add and reorder shape attributes and create more complex compound shapes.

A group is a collection of shape attributes: paths, flls, strokes, path operations, and other groups. Each group has its own blending mode and its own set of transform properties. By assembling shapes into groups, you can work with multiple shapes simultaneouslysuch as scaling all shapes in the group by the same amount or applying the same stroke to each shape. You can even place individual shapes or individual shape attributes within their own groups to isolate transformations.

For example, you can scale a path without scaling its stroke by grouping the path by itself. When you add a shape attribute using the Add menu in the Tools panel or Timeline panel, the attribute is added within the group that is selected.

By reordering and grouping shapes and shape attributes, you can afect their rendering order with respect to other shapes and shape attributes Questions Te following questions are not in the students Classroom in a Book.

Ten click the Fill Color box to open the Gradient Editor, and assign colors to the color stops. You can change the number of points, Outer Roundness value, and other properties. Lesson 5: Animating a Multimedia Presentation Lesson 5 builds a complex animation involving multiple layers, several types of keyframes, audio, and more. It starts from a layered, imported Adobe Photoshop fle. Tese notes provide additional background and teaching material on how After Efects works with Photoshop and Adobe Illustrator fles.

After Efects imports attributes that were applied in Photoshop, including position, blending modes, opacity, visibility, transparency alpha channel , layer masks, layer groups imported as nested compositions , adjustment layers, common layer styles Drop Shadow, Inner Shadow, Outer Glow, Inner Glow, Bevel and Emboss, and Color Fill , layer clipping paths, vector masks, image guides, and clipping groups. When you import an Illustrator fle, After Efects makes all empty areas transparent by converting them into an alpha channel.

However, After Efects does not read embedded color profles from Illustrator fles. To ensure color fdelity, assign an input color profle to the Illustrator footage item that matches the color profle with which the Illustrator fle was created. You can import a multilayered Photoshop or Illustrator fle in the following ways: As a new composition, with each layer in the Photoshop or Illustrator fle becoming a separate layer in the composition that keeps its original dimensions. Tis option, Composition - Retain Layer Sizes, makes it easier to manipulate layers and speeds their rendering time.

As a new composition, with each layer in the Photoshop or Illustrator fle becoming a separate layer in the composition and changing dimensions to match the composition size. Tis option, Composition, is helpful when you need to align layers manually. As a single still-footage item imported from any one layer in the Photoshop or Illustrator fle. As a single still-footage item merged as you import multiple Photoshop or Illustrator layers.

Importing layers into After Efects makes it possible to prearrange a composition in Photoshop using layers and preserve those layers in After Efects so that they are ready for animation. Preserving layers is also useful if you want to use a single Photoshop fle as a source for both print and dynamic media. Before you import a layered Photoshop fle, prepare it thoroughly to reduce preview and rendering time.

Avoid problems importing and updating Photoshop layers by naming them properly. Before you import them into After Efects, do the following: Organize and name layers.

If you change a layer name in a Photoshop fle after you have imported it into After Efects, After Efects retains the link to the original layer. However, if you delete a layer, After Efects is unable to fnd the original layer and lists it as Missing in the Project panel. Make sure that each layer has a unique name to avoid confusion.

To ensure that fles rasterize most faithfully in After Efects, save your fle in AI format instead of Illustrator 8. Transparency in Photoshop fles Photoshop supports a transparent area and alpha channels for each layer. You can use these layer masks to specify how diferent areas within a layer are hidden or revealed.

If you import one layer, After Efects combines the layer mask if present with the transparent area and imports the layer mask as a straight alpha channel.

If you import a layered Photoshop fle as a merged fle, After Efects merges the transparent areas and layer masks of all the layers into one alpha channel that is premultiplied with white. If the layered Photoshop fle contains clipping groups, After Efects imports each clipping group as a composition nested within the main composition. After Efects automatically applies its Preserve Underlying Transparency option to each layer in the clipping-group composition, maintaining transparency settings.

After Effects CS6 (PDF) - Adobe

When you import a Photoshop fle as a composition, any vector masks convert to After Efects masks. You can then modify and animate these masks within After Efects. After Efects also supports any blending modes applied to the fle. Using adjustment layers from Photoshop Adjustment layers in Photoshop change the color and tonal qualities of an image without permanently modifying the original image. Photoshop adjustment layers afect the appearance of all layers below them.

When you import a Photoshop fle containing one or more adjustment layers as a composition, After Efects directly converts the Photoshop adjustment layers to After Efects adjustment layers. To remove the efect and the white solid, either delete the adjustment layer or turn of the Video switch for the layer. Continuously rasterizing an Illustrator fle When you import a vector fle, After Efects automatically rasterizes it. You can continuously rasterize an Illustrator fle or any other vector fle at any time while designing your project.

Continuously rasterizing causes After Efects to rasterize the fle as needed based on the transformation for each frame. A continuously rasterized fle generally produces higher quality results, but it may preview and render slower than a rasterized image.

When you apply an efect to a continuously rasterized layer, the results may be dif- ferent than when you apply the efect to a nonrasterized layer. Tis is because the default rendering order for the layer changes.

By default, nonrasterized layers are rendered in the following order: masks, efects, and then geometrics transforma- tions. Te default rendering order for a continuously rasterized layer is masks, geometrics transformations , and then efects. You can change the default render- ing order. For example, if an Illustrator fle pictures a dog and if you want to animate the scale of the dog and apply the Bulge efect to the dogs nose, turn of continuous rasteriza- tion so that the bulge stays on the dogs nose as the picture scales larger and smaller.

Make sure to check the results of the efect before continuing to work on your project. Whether or not you continuously rasterize, if you view and render a composition using Best Quality, After Efects anti-aliases smooths the art.

For general informa- tion about rasterizing, see Illustrator Help. Note: You cannot paint interactively on a continuously rasterized layer.

However, you can apply a paint efect by copying and pasting or using the Favorites menu. Designing an Illustrator workfow for video production When you import Illustrator fles into video production applications, you can save production time by setting up Illustrator fles for maximum efciency: Customize the new document profleYou can customize the default settings for new fles by editing the new document profle that Illustrator CS6 uses for video fles.

You can set the default Artboard Size to match your most frequently used After Efects composition size. In addition, you can customize the contents of any palette. For example, if your shop has a standard set of Illustrator CS6 graphic styles or symbols, you can save them into the new document profle, and Adobe After Efects CS6 Classroom in a Book 17 theyll be available in every Illustrator CS6 document you create.

Create document templatesA template is a customized Illustrator CS6 document that creates an untitled document when you open it. You can use templates to create frequently used documents that difer from your customized new document profle. Teres only one diference between saving a document as a document or as a template: To save a document as a template, choose Illustrator CS6 Template from the Format menu in the Save As dialog box.

Open a template using the same methods you use to open a document. Control layer dimensionsIf you import an Illustrator document into After Efects and the Illustrator document dimensions arent what you expect, specify the layer dimensions in the Illustrator CS6 document.

When you save the fle in Illustrator CS6, the fle is automati- cally updated in After Efects Questions Te following questions are not in the students Classroom in a Book. Answers 1 A parenting relationship between layers synchronizes the changes in the parent layer with the corresponding transformation values of the child layers. Tat is, when you make changes to the parent layer, the child layers also change.

About the Graph Editor To view and manipulate all aspects of efects and animations, including efect prop- erty values, keyframes, and interpolation, use the Graph Editor.

Te Graph Editor represents changes in efects and animations as a two-dimensional graph, with playback time represented horizontally from left to right. In layer bar mode, on the other hand, the time graph represents only the horizontal time element, without a visual representation of changing values. Tere are two types of graphs available in the Graph Editor: value graphs, which show property values; and speed graphs, which show rates of change of property values.

You can view and work on one property at a time, or you can view multiple properties simultane- ously. When more than one property is visible in the Graph Editor, each propertys graph has the same color as the propertys value in the layer outline.

Understanding Flask graphic files types 3. How to organize content 4. Symbols, instances, and the library 5. How to use guides and rulers 6. How to maintain consistency 7. How to make Flash content accessible 8.

How to draw and create shapes 9. How to apply colors and gradients How to create masks How to create a button symbol How to use transparent or invisible buttons How to work with text Understanding frames and keyframes How to create animation How to use a motion guide with a motion tween animation How to ease tweens How to create character animations How to use sprite sheets How to use filmmaking techniques How to create transitions with motion tweens How to create visual effects How to import images How to produce Flash video for use on the web How to import sound How to optimize Flash content How to get started with ActionScript ActionScript for basic gaming How to test a Flash project How to publish a Flash document How to set up a mobile application How to resize content for multiple screens How to create an RSS feed How to create a Google map How to import files 3.

How to manage media in the Project panel 4. How to create a storyboard in the Project panel 5. How to trim clips in the Timeline panel 6. How to work with clips in the Timeline panel 7.

How to create standard image, movie, and audio files 8. How to capture video 9. How to use editing tools in the Source Monitor How to apply and adjust video transitions How to adjust audio and apply crossfades How to record a narration in the Audio Mixer How to create TV news-style J- and L- cuts How to edit in the Program Monitor How to use the Trim Monitor Understanding the Titler How to build text and objects in the Titler How to work with alpha channel transparencies How to use the Motion effect How to add text effects How to apply and adjust video effects How to work with audio

Related articles:


Copyright © 2019 wm-greece.info.
DMCA |Contact Us