Silver Linings Playbook is a American romantic written and directed by David O. Russell, adapted from the novel The Silver. Linings. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share. The Silver Linings Playbook. Home · The Silver The Class Action Playbook. Read more Corrosion-Resistant Linings and Coatings (Corrosion Technology).
|Language:||English, Spanish, German|
|Distribution:||Free* [*Sign up for free]|
An enchanting first novel about love, madness, and Kenny G. A New York Times bestseller, The Silver Linings Playbook was adapted into the Oscar-winning. Read The Silver Linings Playbook PDF. A heartwarming debut novel, soon to be a major movie by David O. Russell“Aawww shucks!” NPR's. The Silver. Linings. Playbook. A novel by Matthew Quick. ISBN: -1 / pages. For Pat Peoples, despair is not an option. Recently released.
Moore describes Cooper as having "some real natural dancing ability". I'm a terrible dancer, so I would never have been able to do any of that. When it finally came together, that scene really was just as fun as it feels. They were encouraged by positive reviews and hoping to capitalize on Thanksgiving to do more business.
Instead, they took a more slow-burn approach, opening in fewer theaters, expanding gradually, in a strategy to build up word-of-mouth support. The website's critical consensus reads, "Silver Linings Playbook walks a tricky thematic tightrope, but David O. Russell's sensitive direction and some sharp work from a talented cast gives it true balance. Rooney also complimented the "invigorating messiness" and "nervous energy" of the choreography.
What is more, the father repeatedly tries to approach Pat in an efort to make up for past mistakes.
Nevertheless, her role as a stabilising force seems to be heightened in the adaptation, given that she usually appears to tone down the tension created in the household, while she oten intervenes when her husband and son are having an argument. Setting As can be seen in table 1, the category of setting has two further sub-catego- ries, i. Setting is the category which presents the fewest shits in the adaptation under examination as neither aspect of setting is changed to a great extent.
A notable shit is the ampliication of the temporal setting modulation shit. As far as the spatial setting is concerned, the ad- aptation underscores the fact that the story is set in Philadelphia modulation — ampliication shit. In what follows, the identiied adaptation shits are interpreted against rele- vant paratexts. Interpreting the Adaptation Shits As noted in section 2, the interpretive component of the adaptation model includes three categories of reasons that can explain the adaptation shits, i.
Paratexts can help deconstruct the ration- ale behind the changes between the source novel and the adaptation.
As pointed out in section 2, some adaptation shits may be motivated by a combination of reasons. It is also worth noting that the paratexts used to decipher these reasons may point in more than one direction.
Put diferently, there is not a one-to-one relationship between pa- ratexts and reasons. David O. Russell has admitted that his personal experience of mental health problems played an important part in his directing of the ilm. For example, the memory of the violent incident that resulted in his hospitalisation, a plot shit discussed in 3.
Tifany plays a similarly reconciliatory role as she helps Pat and his father to get closer to each other ater another of their arguments. Other characterisation shits seem to result from a combination of creative and economic reasons. As mentioned in 3.
De Niro is a well-known actor with a noteworthy track record. In addition, he usually plays crabby and foul-mouthed characters. At the same time, a ilm featuring Robert De Niro in this role would be appealing to prospective viewers, thus increasing the proit- ability of the ilm. A shit in plot structure discussed in 3. As noted earlier, the relationship between Pat and his father is diferent in the ilm, and the two of them get closer as the story unfolds.
It also relates to the chemistry between Bradley Cooper and Robert De Niro, which was developed through their collaboration in Limitless. Of course, the economic element may still be present here in that such justiication of the approach to the source material may have been part of the promotion of the ilm. However, the fact that the ilm touched upon issues dear to the director and the actors reinforces the conclu- sion that such adaptation shits were mainly motivated by creative and social considerations.
On the contrary, they seem to be the re- sult of conscious decisions that relate to the creative impulse and the social mo- tivation of promoting the issue of mental health.
Concluding Remarks his paper applied a model for the analysis of ilm adaptation to Silver Lin- ings Playbook. Above and beyond merely comparing the adaptation and its source novel, the model can unearth the inter-relations between the adaptation shits by re- sorting to the broader context of the ilm system and the creative industries, more generally. In the adaptation under analysis, the interpretive categories of the model helped understand the reasons behind the adaptation shits by exam- ining more closely the attitude of director and the cast to the narrative at hand.
Moreover, the use of paratexts in interpreting the adaptation shits points to an interesting source of information when it comes to holistically analysing the adaptation process and product.
Put diferently, paratexts accompanying the source material and the adaptation can elicit insight into the factors inluencing the adaptation process. It can also underscore the inter-relations between adaptation and other practices, such as creative writing and translation. Further research, such as similar analyses with diferent genres and types of adaptation, can es- tablish whether this kind of analysis is applicable to other cases of adaptation more broadly.
Emphasis should also be placed on the role of audiences in the continuation of adapted meaning.
By incorporating such aspects to the adapta- IV 2, — tion model proposed here, the model will be itself adapted to fulil the needs of adaptation studies so as to serve as a comprehensive analytical tool for such a burgeoning and interdisciplinary ield. Works Cited Allen, Nick. Accessed 14 May Andrew, Dudley. Bluestone, George. Sins of Sevin.
Penelope Ward. Stepbrother Dearest. To Kill a Mockingbird. Never Never. Tarryn Fisher.
Dark Matter. Prince of Wolves. Sarah Rees Brennan.